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Find out moreIllustration of an Aztec battle line by Adam Hook
ORIGINAL QUESTION received from - and thanks to - Gabrielle Racine: I’m wondering what was the mexica’s war cry. I thought I read somewhere it was in-atl-in-tlachinolli. Is this true? (Answered by Ian Mursell/Mexicolore)
You’re referring to the Mexica metaphor for war, atl tlachinolli, roughly translatable as water-and-fire. This question has come up before and we’ve not been able to give a full answer (follows links below). Now we’ve benefitted from corresponding with one of our longstanding Panel of Experts members, Professor Stephanie Wood, who has kindly given us some useful leads to follow. Even so, evidence for specific Mexica war cries is VERY scanty!
Prof Wood’s first point is perhaps the most immediately relevant to your question: she points out that ‘the atl tlachinolli often took the form of speech scrolls, and therefore could have a war cry association.’ What’s more, the two animals most often shown ‘voicing’ the war symbol - the jaguar and the eagle (pic 1) - were strongly linked to Aztec warriors.
Eagle and jaguar knights were of course élite ranks in the Mexica military hierarchy. Perhaps it comes as no surprise that Nahua texts refer to these creatures when discussing the ‘performance’ of warriors. The war chronicle penned by an anonymous Tlaxcaltecan historian around 1600 CE, for instance, talks of warriors driving off (Huexotzinca) enemies ‘with great fury and shouting’: ‘All the while they played, they beat the lateral log drum and trumpets, wooden bells, along with other war property, with much furious shouting, like coyotes, jaguars and mountain lions’ (Crapo & Glass-Coffin 2005: 39). Young boys were educated to be warriors, not so much in warfare as in rhetoric, song and dance: ‘Virtuosity in the verbal arts was highly regarded among warriors’ (Sullivan 1994: 44); indeed, the birth itself of a boy was greeted with war cries (ibid).
’Like eagles, like jaguars’ (quauhyotica, oceloyotica) was a metaphor for combat, where men gained renown and honour if they were brave and valiant (Sullivan 1963: 168-169).
Interestingly, though, other creatures in the Aztec world had associations with war cries. Take the mysterious ahuitzotl (water dog) (pic 3) - ‘a mammal whose back and tail are made of water; on the end of its tail there is a tiny human hand. This figure typically appears as sculpture, both in relief and in the round, but is shown in codices as well. These creatures are dangerous, as they can pull people into the water - with that little hand - and drown them. They also let out war cries...’ (de la Fuente 2004: 48-49). Look at the sculpture in picture 3: could that be the atl tlachinolli symbol again - below its mouth? And did you spot the little human hand in the creature’s tail?
We’re left with the question of exactly what did these ‘war cries’ consist of? As practitioners of Nahuatl (Aztec) chanting in schools in England, we somehow have doubts about whether Mexica warriors would actually have chanted Atl tlachinolli! - it doesn’t exactly lend itself to a rhythmical chant, in the way that, for example, the name of the sun god Tonatiuh certainly does. We suspect that atl tlachinolli was used as a verbal and visual symbol for war, and that the cries emitted by warriors about to do battle would likely have been fierce animal-like shouts, growls, grunts and other atavistic (primeval) calls. But we don’t know for sure...!
Info sources:-
• Anónimo mexicano edited by Richley Crapo & Bonnie Glass-Coffin, Utah State University Press, 2005
• A Scattering of Jades: Stories, Poems and Prayers of the Aztecs translated by Thelma D. Sullivan, edited by Timothy J. Knab, University of Arizona Press, 1994
• ‘Nahuatl Proverbs, Conundrums, and Metaphors, Collected by Sahagún’ by Thelma D. Sullivan, Estudios de Cultura Náhuatl 4 (1963), 146–147
• ‘Art in the Aztec Empire’ by Beatriz de la Fuente, in The Aztec Empire, Solomon R. Guggenheim Foundation, New York, 2004.
Picture sources:-
• Main: illustration by Adam Hook, courtesy of Osprey Publishing Ltd.
• Pic 1: photo (L) by Ian Mursell/Mexicolore; image (R) scanned from the cover of Burning Water: Thought and Religion in Ancient Mexico by Laurette Séjourné, Thames & Hudson Ltd., London, 1978
• Pic 2: image by Phillip Mursell © copyright Mexicolore
• Pic 3 photo by Ana Laura Landa/Mexicolore
• Pic 4: model by George Stuart courtesy of Leroy Becker, Gallery of Historical Figures.
Illustration of an Aztec battle line by Adam Hook