Article suitable for older students
Find out more11th Feb 2024
Mexicolore contributor Jim Reed
This is Part Two of Jim Reed’s fascinating introduction to the little understood Maya Underworld - complementing our recent major exploration of the Aztec Underworld. Special thanks to friends Jim and professional illustrator Steve Radzi...
Creator Gods
Most scholars say that the Maya had 13 Creator Gods. These deities played a role in the Classic (200–1000 CE), Postclassic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion. The names are mainly taken from the Books of Chilam Balam, Lacandon ethnography, the Madrid Codex, the work of Diego de Landa, and the Popol Vuh. Depending on the source, most names are either Yucatec or K’iche’. Thirteen was a number belonging to men; nine belonged to women. A few of the Creator Gods are listed here:-
• Alom: The god of the sky and wood, a creator deity.
• Bitol: A sky god. One of the creator and destroyer deities who participated in the last two attempts at creating humanity.
• Huracan: “One-Leg”, one of three lightning gods together called “Heart of the Sky” and acting as world creators. God of the weather, wind, storms, and fire who participated in all three attempts at creating humanity; from whom we get the word “hurricane”.
• Itzamnaaj (pic 1): The founder of maize and cacao, as well as writing, calendars, and medicine. Once mentioned as the father of the Bacabs.
NOTE to pic 1: Here he holds an incense burner that is ‘activated’, in an act of blessing mankind. The style of the incense burner is that of a Lacandon ‘God Pot’.
• Ixmucane and Ixpiyacoc: A creator god couple which helped create the first humans. They are also the parents of Hun Hunahpu and Vucub Hunahpu. They were called Grandmother of Day, Grandmother of Light and Bearer twice over, Begetter twice over, and given the titles midwife and matchmaker.
• Nohochacyum: A creator-destroyer deity, the brother of the death god Kisin (or possibly another earthquake god also known as Kisin).
• Q’ug’umatz: Feathered Snake god and creator. The depiction of the feathered serpent deity is present in other cultures of Mesoamerica. Q’ug’umatz of the K’iche’ Maya is closely related to the god Kukulcan of Yucatan (pic 2) and to Quetzalcoatl of the Aztecs.
• Tepeu: A sky god and one of the creator deities who participated in all three attempts at creating humanity.
Gods of the Underworld
There are many supernatural beings concerned with death and the Maya Underworld. The death Gods spread deadly diseases, stench, and decay. The Maya death gods (Ah Pukuh, Ah Cimih, Ah Cizin, Hunhau, Kimi, or Yum Kimil) known by a variety of names, are two basic types of death gods who are respectively represented by the 16th-century Yucatec deities Hunhau and Uacmitun Ahau mentioned by Spanish Bishop Landa. Hunhau is the lord of the Underworld. Iconographically, Hunhau (Ah Pukuh) and Uacmitun Ahau correspond to the Gods A and A’ (“A prime”). In recent narratives, particularly in the oral tradition of the Lacandon people, there is only one death god (called “Kisin” in Lacandon), who acts as the antipode of the Upper God in the creation of the world and of the human body and soul. This death god inhabits an Underworld that is also the world of the dead. As a ruler over the world of the dead (Metnal or Xibalba), the principal death god corresponds to the Aztec deity Mictlāntēcutli.
The Popol Vuh has two leading death gods, but these two are really one: Both are called “Death,” but while one is known as “One-Death,” the other is called “Seven-Death.” They were vanquished by the Hero Twins.
The two principal death gods count among the many were-animals and spooks (wayob) inhabiting the Underworld, with the God A way in particular manifesting himself as a head hunter and a deer hunter.
• Ah Pukuh (Hunhau, God A): He is a grotesque, but comical figure. He hangs out with spiders, centipedes, scorpions, and owls – all considered to be bad omens. Due to a copying error in a 16th century text, he is sometimes called Ah Puch.
• Baalham (Balam): The jaguar god of the Underworld. Also any of a group of jaguar gods who protected people and communities.
• B’olon Yokte’ K’uh: God of Merchants, War, and the Underworld. Even though this god appears frequently in the codices and in Maya art, his name is still uncertain. He is often shown in scenes of the Maya Underworld, and he presided over the committee of gods that assembled when the cosmos was created. His jaguar and owl attributes point to sorcery, violence, and warfare. He is a wrinkled, aged god with a huge nose, large “god eyes”, a broad brimmed hat with black-tipped owl feathers on top (or the entire bird) and a fringed cape. He is often smoking a large cigar.
• Chac Bolay: Chac Bolay is associated with the sun’s passage through the Underworld and the Lord of Death, Ah Pukuh (Cizin). Chac Bolay or Chac Báalam is depicted with a jaguar head, protruding incisors, and a strand of braided hair. Its skin, dotted with spots like that of a jaguar, symbolizes the night and the celestial vault full of stars. He represents strength and power.
• Kisin (Cizin): Kisin is the name of the death god among the Lacandons as well as the early colonial Choles, kis being a root with meanings like “flatulence” and “stench.” Landa uses another name and calls the lord of the Underworld and “prince of the devils” Hunhau, a name that, recurring in early Yucatec dictionaries as Humhau and Cumhau, related to Ah Pukuh.
• Uacmitun Ahau (God A’): During the Classic period, his abdomen is sometimes replaced with out-pouring swirls of blood or rotting matter. He is usually accompanied by spiders, centipedes, scorpions, a vulture, an owl, and a bat. He is pictured with jewelry usually on his wrists and ankles. On his lower extremity, he has a round “molo” sign that putrid smells of death. Over his head is a floating object shaped like an “S” probably an insect carrying a torch. On his forehead like other deities of the underworld he wears an “aqabal” also known as an emblem of “darkness.” His head in Maya culture was used to represent the number 10, the lower jawbone meant the numeral ten that was inscribed within all other head variants of the numbers thirteen to nineteen. He was often pictured as dancing and holding a smoking cigarette. On his neck is a death collar which consists of embodied eyes hanging by their nerve cords. The black spots on his body represent the decay of the flesh. Since he is a rotting corpse in some images he is shown with a bloated stomach. Despite the above, it has been suggested that the hieroglyphic name of God A’ should be read as Akan, a name otherwise only known as that of a 16th-century deity of alcoholic beverages.
The Lords of Death
Xibalba is the underground court of the twelve Maya Lords of Death. Hun-Kame (One- Death) and Yukaub-Kame (Seven-Death) are the most powerful.
• Hun-Kame and Vucub-Kame: In the Popol Vuh, the Hero Twins descend to the “Place of Fright” (Xibalba) where a pair of Death Gods, Hun-Came (“One-Death”) and Vucub-Came (“Seven-Death”), rule over a series of disease-bringing deities. The twins defeat the Death Gods and put restrictions on their cult.
The remaining ten Lords of Death work in pairs and are demons responsible for different forms of human suffering, disease, and death:-
• Scab Stripper & Blood Gatherer sicken people’s blood.
• Demon of Pus & Demon of Jaundice cause people to swell up.
• Bone Scepter & Skull Scepter turn dead bodies into skeletons.
• Demon of Filth & Demon of Woe hide in the dirty corners of people’s homes and stab them to death.
• Wing & Packstrap cause people to die coughing up blood on the road.
Lords of the Night
In Mesoamerican mythology, the Lords of the Night (Classical Nahuatl: Yohualtecuhtin) are a set of nine deities who each ruled over every ninth night forming a calendrical cycle. Each lord was associated with a particular fortune, bad or good, that was an omen for the night that they ruled over.
The Lords of the Night are known in both the Aztec and Maya calendars, although the specific names of the Maya Night Lords are unknown.
The glyphs corresponding to the night gods are known and Mayanists identify them with labels G1 to G9, the “G” series. Generally, these glyphs are frequently used with a fixed glyph coined “F”. The only Maya night lord that has been identified is the God G9, Pauahtun, the Aged Quadripartite God.
The existence of a nine nights cycle in Mesoamerican calendrics was first discovered in 1904 by Eduard Seler. The Aztec names of the deities are known because their names are glossed in the Codex Telleriano-Remensis and Codex Tudela. Seler argued that the 9 lords each corresponded to one of the nine levels of the Underworld and ruled the corresponding hour of the nighttime; this argument has not generally been accepted, since the evidence suggests that the lord of a given night ruled over that entire night. Zelia Nuttall argued that the Nine Lords of the Night represented the nine moons of the Lunar year. The cycle of the Nine Lords of the Night held special relation to the Mesoamerican ritual calendar of 260-days and nights which includes exactly 29 groups of 9 nights each, and also, approximately, 9 vague lunations of 29 days each.
Finally, there is a living Maya legacy as well. The descendants of the Maya number about 6 million today. Proud of their heritage, they still tell old myths at festivals and funerals, although perhaps less often than they used to. Some of them remember the old gods, asking Chaac for rain, thanking Hun-Hunahpu for a good harvest, and fearing that Ah Pukuh is prowling about, hungry for victims. In the Yucatan, a television series called Let Us Return to Our Maya Roots promoted traditional language and customs. The mythology that once expressed the visions and beliefs of much of Mesoamerica remains part of a culture that is still alive today.
Picture sources:-
PART 1
• Pix 1 & 9: photos by Ian Mursell/Mexicolore
• Pic 2: illustration by and courtesy of Jim Reed
• Pix 3 & 8: photos by and courtesy of Justin Kerr, MayaVase database (www.mayavase.com)
• Pix 4, 11, 14 & 16: illustrations by and thanks to Steve Radzi (www.mayavision.com)
• Pix 5 & 13: illustrations by and thanks to Luis Garay (www.luisgarayart.com)
• Pic 6: image downloaded from Wikipedia (Popol Vuh)
• Pix 7, 12, 15, 17, 18 & 19: images supplied by the author
(Pic 15: courtesy of Los Angeles County Museum of Archaeology, LACMA. Note: the original polychrome plate designated as the ‘Resurrection Plate’ is K1892 in the Kerr Maya Vase Database)
• Pic 17: courtesy of latinamericanstudies.org
• Pic 18: posted by lostpylon, Wikimedia Commons, public domain
• Pic 19: courtesy of www.mesoweb.com. ©David R. Hixson
• Pic 10: illustrations by and courtesy of Simon Martin
• Pic 20: image from the Florentine Codex scanned from our own copy of the Club Internacional del Libro 3-volume facsimile edition, Madrid, 1994.
PART 2
• Pix 1 & 4: illustrations by and thanks to Steve Radzi (www.mayavision.com)
• Pix 2 & 7: illustrations by and thanks to Luis Garay
• Pic 3: illustrations courtesy of Gabrielle Vail
• Pic 5: illustration courtesy of www.jaguarstones.com
• Pix 6 & 10: photos by Ian Mursell/Mexicolore
• Pix 8: image supplied by the author
• Pic 9: image courtesy of FAMSI.
Exploring the Maya Underworld Resources
• Barrera-Vasquez, Alfredo
“The Ceremony of Tsikul T’ and Ti’Yuntsiloob at Balankanche”, Appendix i in Balankanche, Throne of the Tiger Priest, by E. Wyllys Andrews IV. Tulane University, Middle American Research Institute, Publ. 32, 1970
• Christenson, A.J. (Translator): Popol Vuh: The Sacred Book of the Maya, Norman, OK, 2007
• Evans, Andrew. “Underworld”, article published by the National Geographic Society on their website at: nationalgeographic.com
• FAMSI. “Counting Time Through the Ages”, Chapter Four of the Maya Glyph Book, an online PDF accessible at famsi.org
• Freidel, David; Schele, Linda; and Parker, Joy: Maya Cosmos: Three Thousand Years on the Shaman’s Path, New York, NY, 1993
• Guernsey Julia: The Performance of Rulership in Mesoamerican Izapan Style Art, 2006
• MacLeod, Barbara, and Puleston, Dennis: “Pathways into Darkness: The Search for the Road to Xibalba”, Greene Robertson, Merle, and Jeffers, D.C. (eds.), Tercera Mesa Redonda de Palenque, Vol. 4, Monterrey, CA, 1978
• Miller, M.E., and Taube, K., The Gods and Symbols of Ancient Mexico and the Maya: An Illustrated Dictionary of Mesoamerican Religion, 1993
• Moyes, Holly: “Xibalba, the Place of Fear: Caves and the Ancient Maya Underworld”. In ARYS: Antiguidad, Religiones y Sociedades, Volumen 14, 2016
• Radzi, Steve, illustrator extraordinaire, has been illustrating Maya sites for many years. His illustrations of Maya archaeological remains display a singular sensitivity and attention to detail. View a gallery of his work where prints are available at: www.mayavision.com
• Recinos, Adrian. Popol Vuh: The Sacred Book of the Ancient Maya. University of Oklahoma Press, Norman, OK, 1950
• Saturno, William A., et al.: “The Murals of San Bartolo, El Peten, Guatemala, Part 1: The North Wall”, Ancient America, No. 7, 2005
• Stevenson, Mark, “Portal to Mythical Maya Underworld Found in Mexico”. Published online by nbcnews.com, 2008
• Steffens, Gena, “Maya Ritual Cave ‘Untouched’ for 1,000 Years Stuns Archaeologists”. Published online by the National Geographic Society on their website at nationalgeographic.com, 2019
• Thomson, J. Eric S., Maya History and Religion, Vol. 99, 1990
• Tozer, Alfred M. Landa’s Relación de las Cosas de Yucatan (A Translation). Harvard University, Peabody Museum of American Archaeology and Ethnology, Papers, Vol. 18, 1941
• Voelkel, Jon and Pamela. “The Maya Pantheon of Gods” published on their website jaguarstones.com. They are the authors/illustrators of the Jaguar Stones series of books, with tiles of:Middleworld”, “The End of the World Club”, “The River of No Return”, and “The Lost City”. The duo are educators and offer teaching tools, lesson plans, and resources for other teachers, available on jaguarstones.com
• Wirth, Diane E.
“Quetzalcoatl, the Maya Maize God, and Jesus Christ”, Journal of Book of Mormon Studies, Article 3, Vol. 11, No.1. Brigham Young University, Provo, UT, 2002
• The Legend of Hunahpu and Ixbalanque:
Text from the website of the Spanish Academy Antiguena in Antigua, Guatemala, at: spanishacademyantiguena.com.
Mexicolore contributor Jim Reed